10.05.2004
May He Receive Respect In Death
Rodney Dangerfield wasn't a fantastic comedian. He was a good one, one with a familar catchphrase and those trademark bug-eyes. He starred in a number of movies and his casual, nervous stand-up style has been passed on to a number of today's comedians. His body, worn-out from heart surgery that had put him into a coma, finally gave in tuesday afternoon. He was 82:
As a comic, Dangerfield -- clad in a black suit, red tie and white shirt with collar that seemed too tight -- convulsed audiences with lines such as: "When I was born, I was so ugly that the doctor slapped my mother"; "When I started in show business, I played one club that was so far out my act was reviewed in Field and Stream"; and "Every time I get in an elevator, the operator says the same thing to me: `Basement?"'
In a 1986 interview, he explained the origin of his "respect" trademark:
"I had this joke: 'I played hide and seek; they wouldn't even look for me.' To make it work better, you look for something to put in front of it: I was so poor, I was so dumb, so this, so that. I thought, 'Now what fits that joke?' Well, 'No one liked me' was all right. But then I thought, a more profound thing would be, 'I get no respect."'
He tried it at a New York club, and the joke drew a bigger response than ever. He kept the phrase in the act, and it seemed to establish a bond with his audience. After hearing him perform years later, Jack Benny remarked: "Me, I get laughs because I'm cheap and 39. Your image goes into the soul of everyone."
...His film debut came in 1971 with "The Projectionist," which he described as "the kind of a movie that you went to the location on the subway." He did better in 1980 with "Caddyshack," in which he held his own with such comics as Chevy Chase, Ted Knight and Bill Murray.
Despite his good reviews, Dangerfield claimed he didn't like movies or TV series: "Too much waiting around, too much memorizing; I need that immediate feedback of people laughing."
Still, he continued starring in and sometimes writing films such as "Easy Money," "Back to School," "Moving," "The Scout," "Ladybugs" and "Meet Wally Sparks." He turned dramatic as a sadistic father in Oliver Stone's 1994 "Natural Born Killers."
In 1995, the Academy of Motion Picture Arts and Sciences rejected Dangerfield's application for membership. A letter from Roddy McDowall of the actors branch explained that the comedian had failed to execute "enough of the kinds of roles that allow a performer to demonstrate the mastery of his craft."
The ultimate rejection, and Dangerfield played it to the hilt. He had established his own Web site ("I went out and bought an Apple Computer; it had a worm in it"), and his fans used it to express their indignation. The public reaction prompted the academy to reverse itself and offer membership. Dangerfield declined.
"They don't even apologize or nothing," he said. "They give no respect at all -- pardon the pun -- to comedy."
He'll be sorely missed, but his legacy will live on.
As a comic, Dangerfield -- clad in a black suit, red tie and white shirt with collar that seemed too tight -- convulsed audiences with lines such as: "When I was born, I was so ugly that the doctor slapped my mother"; "When I started in show business, I played one club that was so far out my act was reviewed in Field and Stream"; and "Every time I get in an elevator, the operator says the same thing to me: `Basement?"'
In a 1986 interview, he explained the origin of his "respect" trademark:
"I had this joke: 'I played hide and seek; they wouldn't even look for me.' To make it work better, you look for something to put in front of it: I was so poor, I was so dumb, so this, so that. I thought, 'Now what fits that joke?' Well, 'No one liked me' was all right. But then I thought, a more profound thing would be, 'I get no respect."'
He tried it at a New York club, and the joke drew a bigger response than ever. He kept the phrase in the act, and it seemed to establish a bond with his audience. After hearing him perform years later, Jack Benny remarked: "Me, I get laughs because I'm cheap and 39. Your image goes into the soul of everyone."
...His film debut came in 1971 with "The Projectionist," which he described as "the kind of a movie that you went to the location on the subway." He did better in 1980 with "Caddyshack," in which he held his own with such comics as Chevy Chase, Ted Knight and Bill Murray.
Despite his good reviews, Dangerfield claimed he didn't like movies or TV series: "Too much waiting around, too much memorizing; I need that immediate feedback of people laughing."
Still, he continued starring in and sometimes writing films such as "Easy Money," "Back to School," "Moving," "The Scout," "Ladybugs" and "Meet Wally Sparks." He turned dramatic as a sadistic father in Oliver Stone's 1994 "Natural Born Killers."
In 1995, the Academy of Motion Picture Arts and Sciences rejected Dangerfield's application for membership. A letter from Roddy McDowall of the actors branch explained that the comedian had failed to execute "enough of the kinds of roles that allow a performer to demonstrate the mastery of his craft."
The ultimate rejection, and Dangerfield played it to the hilt. He had established his own Web site ("I went out and bought an Apple Computer; it had a worm in it"), and his fans used it to express their indignation. The public reaction prompted the academy to reverse itself and offer membership. Dangerfield declined.
"They don't even apologize or nothing," he said. "They give no respect at all -- pardon the pun -- to comedy."
He'll be sorely missed, but his legacy will live on.
